{"id":679,"date":"2019-04-07T08:54:00","date_gmt":"2019-04-07T08:54:00","guid":{"rendered":"https:\/\/www.chardhamtour.in\/blog\/?p=679"},"modified":"2026-09-12T06:34:07","modified_gmt":"2026-09-12T06:34:07","slug":"dances-of-uttarakhand","status":"publish","type":"post","link":"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/","title":{"rendered":"Traditional and Folk Dances of Uttarakhand"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Uttarakhand&#8217;s folk dances didn&#8217;t grow out of a stage. They grew out of weddings, harvests, and village worship \u2014 places where dancing was the point, not a performance of it. Some of these forms are hundreds of years old and still get performed the way they started: in a courtyard, with a live Dhol player, no audience seating required. Others have moved onto proper stages too, including state government cultural events, without losing their original context in the villages.<\/span><\/p>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_89 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Is_There_an_Official_List_of_Folk_Dances_of_Uttarakhand\" >Is There an Official List of Folk Dances of Uttarakhand?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Garhwal_and_Kumaon_Two_Cultural_Regions_Not_Two_Fixed_Rulebooks\" >Garhwal and Kumaon: Two Cultural Regions, Not Two Fixed Rulebooks<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#History_Whats_Documented_and_Whats_Local_Legend\" >History: What&#8217;s Documented and What&#8217;s Local Legend<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#The_Major_Folk_Dances_of_Uttarakhand\" >The Major Folk Dances of Uttarakhand<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Langvir_Nritya\" >Langvir Nritya<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Chholiya\" >Chholiya<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Jagar_A_Ritual_Not_Just_a_Dance\" >Jagar: A Ritual, Not Just a Dance<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Pandav_Nritya\" >Pandav Nritya<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Jhoda\" >Jhoda<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Chanchari\" >Chanchari<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Chhapeli\" >Chhapeli<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Barada_Nati\" >Barada Nati<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-13\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Ramola\" >Ramola<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-14\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Bhotiya_and_Shotiya_Dances\" >Bhotiya and Shotiya Dances<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-15\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Thali%E2%80%93Jadda%E2%80%93Jhainta\" >Thali\u2013Jadda\u2013Jhainta<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-16\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Bajuband\" >Bajuband<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-17\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Instruments_No_Single_Set_Runs_Through_All_of_These\" >Instruments: No Single Set Runs Through All of These<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-18\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#A_Current_Example_Vasantotsav_2026\" >A Current Example: Vasantotsav 2026<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-19\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Where_and_When_Youre_Actually_Likely_to_See_These\" >Where and When You&#8217;re Actually Likely to See These<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-20\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Common_Mistakes\" >Common Mistakes<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-21\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Why_This_Still_Matters\" >Why This Still Matters<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-22\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Conclusion\" >Conclusion<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-23\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#FAQs\" >FAQs<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-24\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#How_many_folk_dances_does_Uttarakhand_have\" >How many folk dances does Uttarakhand have?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-25\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#What_is_the_most_well-known_folk_dance_of_Uttarakhand\" >What is the most well-known folk dance of Uttarakhand?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-26\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Is_Jagar_a_dance_or_a_ritual\" >Is Jagar a dance or a ritual?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-27\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Which_dance_is_performed_at_weddings_in_Uttarakhand\" >Which dance is performed at weddings in Uttarakhand?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-28\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Whats_the_difference_between_Garhwali_and_Kumaoni_folk_dance\" >What&#8217;s the difference between Garhwali and Kumaoni folk dance?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-29\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#What_instruments_are_used\" >What instruments are used?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-30\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Was_Bajuband_still_performed_recently\" >Was Bajuband still performed recently?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-31\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Can_visitors_join_in\" >Can visitors join in?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-32\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#What_is_Pandav_Nritya_based_on\" >What is Pandav Nritya based on?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-33\" href=\"https:\/\/www.chardhamtour.in\/blog\/dances-of-uttarakhand\/#Is_Chanchari_only_performed_in_Bageshwar\" >Is Chanchari only performed in Bageshwar?<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h2><span class=\"ez-toc-section\" id=\"Is_There_an_Official_List_of_Folk_Dances_of_Uttarakhand\"><\/span><strong>Is There an Official List of Folk Dances of Uttarakhand?<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><span style=\"font-weight: 400;\">No. There&#8217;s no single government-approved count. Uttarakhand Open University&#8217;s own course material lists folk forms well into the dozens once you include dance-songs, seasonal dances, and ritual performances alongside the standalone dance forms. District government pages add local variants on top of that. Anyone who tells you Uttarakhand has an exact number of folk dances is simplifying for convenience.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">What&#8217;s genuinely well-documented, across government district portals and university material, are around a dozen major forms that show up again and again: Chholiya, Langvir Nritya, Jagar, Pandav Nritya, Jhoda, Chanchari, Chhapeli, Barada Nati, Ramola, Bhotiya\/Shotiya dances, Thali-Jadda-Jhainta, and Bajuband. That&#8217;s the list this guide covers.<\/span><\/p>\n<h2><span class=\"ez-toc-section\" id=\"Garhwal_and_Kumaon_Two_Cultural_Regions_Not_Two_Fixed_Rulebooks\"><\/span><strong>Garhwal and Kumaon: Two Cultural Regions, Not Two Fixed Rulebooks<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><span style=\"font-weight: 400;\">Garhwal and Kumaon are Uttarakhand&#8217;s two main cultural regions, and their dance traditions do lean in different directions. Garhwal&#8217;s forms tend toward the devotional and the physical \u2014 Langvir Nritya&#8217;s pole acrobatics, Pandav Nritya&#8217;s Mahabharata re-enactments, Jagar&#8217;s deity invocations. Kumaon&#8217;s forms lean more social \u2014 Chholiya&#8217;s martial energy at weddings, Jhoda&#8217;s community circles, Chhapeli&#8217;s courtship duets.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">These are tendencies, not strict borders. Jhoda shows up with local variation in both regions. Jagar is performed across both Garhwal and Kumaon, not just one. Treat the regional split as a rough map, not a rulebook.<\/span><\/p>\n<table>\n<thead>\n<tr>\n<th><\/th>\n<th><b>Garhwal<\/b><\/th>\n<th><b>Kumaon<\/b><\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><span style=\"font-weight: 400;\">Common forms<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Langvir Nritya, Pandav Nritya, Jagar, Bajuband<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Chholiya, Jhoda, Chanchari, Chhapeli<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400;\">Instruments<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Dhol, Damau, Bhankore<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Dhol, Damau, Hurka, Turhi<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400;\">Common threads<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Devotional, ritual, seasonal<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Martial, social, seasonal<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2><span class=\"ez-toc-section\" id=\"History_Whats_Documented_and_Whats_Local_Legend\"><\/span><strong>History: What&#8217;s Documented and What&#8217;s Local Legend<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><span style=\"font-weight: 400;\">Some of Uttarakhand&#8217;s dance culture is genuinely traceable \u2014 Chholiya&#8217;s link to Kumaoni Rajput wedding traditions, for instance, or Pandav Nritya&#8217;s connection to villages that identify with the Mahabharata&#8217;s exile story. Some of it isn&#8217;t traceable at all, and that&#8217;s fine \u2014 it&#8217;s folklore, and folklore doesn&#8217;t need a citation to matter.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">One story you&#8217;ll hear locally involves <\/span><i><span style=\"font-weight: 400;\">Paries<\/span><\/i><span style=\"font-weight: 400;\">, spirits said to live in the high Himalayas. Different villages tell it differently: some say they&#8217;re the souls of women denied proper last rites, others tie them to old Krishna-Gopi stories. Nobody can verify any version of this. It&#8217;s worth knowing because it explains why dances like Jagar carry a spiritual weight that a regular folk dance wouldn&#8217;t \u2014 but it&#8217;s a belief, not a documented history.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-683\" src=\"https:\/\/www.chardhamtour.in\/blog\/wp-content\/uploads\/2019\/04\/Folk-Dance-of-Uttarakhand.jpg\" alt=\"Folk Dance of Uttarakhand\" width=\"1000\" height=\"500\" srcset=\"https:\/\/www.chardhamtour.in\/blog\/wp-content\/uploads\/2019\/04\/Folk-Dance-of-Uttarakhand.jpg 1000w, https:\/\/www.chardhamtour.in\/blog\/wp-content\/uploads\/2019\/04\/Folk-Dance-of-Uttarakhand-300x150.jpg 300w, https:\/\/www.chardhamtour.in\/blog\/wp-content\/uploads\/2019\/04\/Folk-Dance-of-Uttarakhand-768x384.jpg 768w, https:\/\/www.chardhamtour.in\/blog\/wp-content\/uploads\/2019\/04\/Folk-Dance-of-Uttarakhand-400x200.jpg 400w, https:\/\/www.chardhamtour.in\/blog\/wp-content\/uploads\/2019\/04\/Folk-Dance-of-Uttarakhand-849x424.jpg 849w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/p>\n<h2><span class=\"ez-toc-section\" id=\"The_Major_Folk_Dances_of_Uttarakhand\"><\/span><strong>The Major Folk Dances of Uttarakhand<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<h3><span class=\"ez-toc-section\" id=\"Langvir_Nritya\"><\/span><strong>Langvir Nritya<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><b>Region:<\/b><span style=\"font-weight: 400;\"> Tehri Garhwal, part of Garhwal&#8217;s broader dance tradition <\/span><b>Performers:<\/b><span style=\"font-weight: 400;\"> Men <\/span><b>Instruments:<\/b><span style=\"font-weight: 400;\"> Dhol and Damau<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A bamboo pole goes into the ground. A dancer climbs it and balances his full body weight on his stomach at the top, rotating and working his hands and legs through a set of moves while the Dhol and Damau keep time below. It&#8217;s a physical skill passed down through practice, not choreography borrowed from anywhere else. Government cultural records place it firmly in Tehri Garhwal, and that&#8217;s where you&#8217;re most likely to see it performed with any regularity.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Chholiya\"><\/span><strong>Chholiya<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><b>Region:<\/b><span style=\"font-weight: 400;\"> Kumaon, most visible in Pithoragarh and Almora <\/span><b>Performers:<\/b><span style=\"font-weight: 400;\"> Men, in groups <\/span><b>Instruments:<\/b><span style=\"font-weight: 400;\"> Turi\/Turhi, Ransingha, Nagphani, and drums \u2014 the exact combination varies by troupe<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Chholiya is a sword dance, historically tied to Kumaoni Rajput wedding processions. Dancers mock-fight with swords and shields to drumbeats built for war, not romance. It&#8217;s still performed at weddings, and it&#8217;s also become a regular feature at Kumaon&#8217;s cultural festivals and state-level events. The historical detail about warding off rival clans specifically doesn&#8217;t hold up under scrutiny as well as the wedding-procession connection does, so this guide sticks to what&#8217;s well-supported: it&#8217;s a martial dance, it&#8217;s old, and it belongs to Kumaon&#8217;s wedding culture.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Jagar_A_Ritual_Not_Just_a_Dance\"><\/span><strong>Jagar: A Ritual, Not Just a Dance<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><b>Region:<\/b><span style=\"font-weight: 400;\"> Both Garhwal and Kumaon <\/span><b>Performers:<\/b><span style=\"font-weight: 400;\"> A Jagariya (ritual singer) leads; a Pashwa often enters trance <\/span><b>Instruments:<\/b><span style=\"font-weight: 400;\"> Hurka, vocal invocation<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Jagar doesn&#8217;t fit cleanly into a &#8220;folk dance&#8221; list, and this guide isn&#8217;t going to pretend it does. It&#8217;s a ritual built around invoking a deity or ancestor spirit \u2014 the Jagariya sings the invocation, and the Pashwa, the person the spirit is believed to enter, moves into a trance state. District government records describe this clearly as a religious practice, not entertainment. If you come across one while travelling through rural Uttarakhand, watch from the edges and follow the lead of the people running it. It&#8217;s not staged for visitors.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Pandav_Nritya\"><\/span><strong>Pandav Nritya<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><b>Region:<\/b><span style=\"font-weight: 400;\"> Chamoli and Pauri Garhwal <\/span><b>Performers:<\/b><span style=\"font-weight: 400;\"> Village men, playing Mahabharata roles <\/span><b>Instruments:<\/b><span style=\"font-weight: 400;\"> Dhol, Damau, Bhankore<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Villages that trace a connection to the Pandavas&#8217; exile perform this as a multi-night re-enactment of Mahabharata episodes \u2014 Krishna, Arjun, Bhima, and Draupadi all get performers. It runs around Dussehra and Diwali most commonly. There isn&#8217;t a fixed statewide calendar for it beyond that, so don&#8217;t expect it on a set schedule outside those festivals.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Jhoda\"><\/span><strong>Jhoda<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><b>Region:<\/b><span style=\"font-weight: 400;\"> Kumaon, with regional variants elsewhere <\/span><b>Performers:<\/b><span style=\"font-weight: 400;\"> Mixed groups <\/span><b>Occasion:<\/b><span style=\"font-weight: 400;\"> Festivals, Holi, Basant Panchami<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Jhoda is a circle dance \u2014 arms linked, slow synchronised movement, sung rather than silent. It&#8217;s also called Jhora in some areas. This is the one dance on this list a visitor can actually join without training; village elders generally welcome it.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Chanchari\"><\/span><strong>Chanchari<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><b>Region:<\/b><span style=\"font-weight: 400;\"> Strongly associated with Danpur Patti in Bageshwar, also practised elsewhere in Kumaon <\/span><b>Performers:<\/b><span style=\"font-weight: 400;\"> Primarily women, in a circle <\/span><b>Instruments:<\/b><span style=\"font-weight: 400;\"> Hurka<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Chanchari isn&#8217;t confined to one valley the way some older write-ups suggest \u2014 it&#8217;s most strongly rooted in Bageshwar&#8217;s Danpur Patti area but shows up more broadly across Kumaon now. It stayed performed at Uttarakhand&#8217;s Vasantotsav 2026 cultural evening at Lok Bhavan, Dehradun, on 28 February 2026, alongside Bajuband and other regional forms \u2014 official confirmation that this isn&#8217;t a dying tradition.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Chhapeli\"><\/span><strong>Chhapeli<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><b>Region:<\/b><span style=\"font-weight: 400;\"> Kumaon <\/span><b>Performers:<\/b><span style=\"font-weight: 400;\"> Male-female pairs <\/span><b>Instruments:<\/b><span style=\"font-weight: 400;\"> Manjira, flute<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A courtship dance, performed in pairs, with the woman holding a handkerchief and a small mirror. It shows up at weddings, fairs, and spring festivals, and it&#8217;s one of the lighter, more accessible performances on this list.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Barada_Nati\"><\/span><strong>Barada Nati<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><b>Region:<\/b><span style=\"font-weight: 400;\"> Jaunsar-Bawar, Chakrata tehsil, Dehradun district <\/span><b>Performers:<\/b><span style=\"font-weight: 400;\"> Men and women together, in a circle <\/span><b>Instruments:<\/b><span style=\"font-weight: 400;\"> Dhol, Damau, Hurka<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This belongs specifically to the Jaunsari community and doesn&#8217;t show up elsewhere in the state in the same form. It&#8217;s performed at weddings and religious occasions, with dancers in traditional Jaunsari dress moving through a circular, building rhythm.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Ramola\"><\/span><strong>Ramola<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><b>Region:<\/b><span style=\"font-weight: 400;\"> Kumaon <\/span><b>Occasion:<\/b><span style=\"font-weight: 400;\"> Around Holi, tied to Krishna worship<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ramola runs through the Holi season \u2014 historically performed by travelling singers, tied to Krishna devotion. The specific idea that it was used to announce the start of sowing season is a common retelling, but it&#8217;s not something that holds up against the primary documentation, which frames it more around the Holi devotional calendar than an agricultural signal.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Bhotiya_and_Shotiya_Dances\"><\/span><strong>Bhotiya and Shotiya Dances<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><b>Region:<\/b><span style=\"font-weight: 400;\"> High-altitude Bhotiya belt near the Tibet border <\/span><b>Dance forms:<\/b><span style=\"font-weight: 400;\"> Dhurang and Dhuring<\/span><\/p>\n<p><span style=\"font-weight: 400;\">These belong to the Bhotiya and Shotiya communities and are tied to death rituals. The belief, as told locally, is that the departed soul temporarily rests in a goat or sheep, and the dance is part of releasing it. This is a community belief, stated here as one \u2014 not verified fact, but a real and long-held part of how these communities mark death.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Thali%E2%80%93Jadda%E2%80%93Jhainta\"><\/span><strong>Thali\u2013Jadda\u2013Jhainta<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><b>Region:<\/b><span style=\"font-weight: 400;\"> Kumaon <\/span><b>Occasion:<\/b><span style=\"font-weight: 400;\"> Weddings<\/span><\/p>\n<p><span style=\"font-weight: 400;\">These three aren&#8217;t one uniform performance. Thali is the part most people picture \u2014 women balancing a metal plate on their heads while dancing in circles. Jadda and Jhainta bring men into the performance alongside the women, with different rhythms and roles rather than a repeat of the same plate-balancing routine. Grouping all three under one description flattens what&#8217;s actually three connected but distinct elements of a wedding performance.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Bajuband\"><\/span><strong>Bajuband<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><b>Region:<\/b><span style=\"font-weight: 400;\"> Garhwal <\/span><b>Type:<\/b><span style=\"font-weight: 400;\"> Song-and-dance tradition<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Bajuband is a Garhwali folk performance built around song as much as movement. It was performed as part of Uttarakhand&#8217;s official Vasantotsav 2026 cultural programme in Dehradun on 28 February 2026, alongside Chanchari and Harul \u2014 solid, current proof that this tradition is still active at a state level, not just a village-level memory.<\/span><\/p>\n<h2><span class=\"ez-toc-section\" id=\"Instruments_No_Single_Set_Runs_Through_All_of_These\"><\/span><strong>Instruments: No Single Set Runs Through All of These<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><span style=\"font-weight: 400;\">Dhol and Damau show up often, but not universally, and not as a fixed rule. Jagar leans on the Hurka. Chholiya&#8217;s ensemble is built around Turi, Ransingha, and Nagphani \u2014 brass and martial instruments, not the standard Dhol-Damau pairing. Treat the instrument list per dance as the real answer, not a generic &#8220;these three instruments cover everything&#8221; statement.<\/span><\/p>\n<h2><span class=\"ez-toc-section\" id=\"A_Current_Example_Vasantotsav_2026\"><\/span><strong>A Current Example: Vasantotsav 2026<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><span style=\"font-weight: 400;\">On 28 February 2026, the Governor of Uttarakhand inaugurated a cultural evening at Lok Bhavan, Dehradun, as part of Vasantotsav 2026. The documented performances included Chanchari (Kumaoni), Harul (Jaunsari), Bajuband (Garhwali), Tharu folk dance, and Kumaoni Holi dance. This is the clearest recent evidence that these traditions are still performed at an official, state-recognised level \u2014 not confined to archives or old village memory.<\/span><\/p>\n<h2><span class=\"ez-toc-section\" id=\"Where_and_When_Youre_Actually_Likely_to_See_These\"><\/span><strong>Where and When You&#8217;re Actually Likely to See These<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><span style=\"font-weight: 400;\">Timing matters more than location for most of these. Harela, in mid-July, is a genuine Kumaon and Garhwal festival, though which specific dances appear depends on the village. Basant Panchami and Holi bring out Jhoda, Chanchari, and Ramola. Weddings, particularly in Jaunsar-Bawar and Kumaon, are where Barada Nati, Chholiya, and Thali-Jadda-Jhainta are performed in their original social setting rather than as a showcase. Dussehra and Diwali bring Pandav Nritya to Chamoli and Pauri villages over several nights.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Beyond festival timing, official state cultural events \u2014 Vasantotsav being the clearest recent example \u2014 are where you can reliably catch several of these forms performed together without needing to time a village event exactly right.<\/span><\/p>\n<h2><span class=\"ez-toc-section\" id=\"Common_Mistakes\"><\/span><strong>Common Mistakes<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><span style=\"font-weight: 400;\">Treating Jagar as a performance rather than a ritual is the biggest one \u2014 it&#8217;s worship, and it should be watched with the same restraint you&#8217;d bring to a temple ceremony, not a photo opportunity. Expecting classical-level polish is another; these are community forms, and the value is in participation and continuity, not technical precision. Assuming any of these dances run on a fixed public calendar is a third \u2014 most are tied to festivals or local occasions that shift by village and by year.<\/span><\/p>\n<h2><span class=\"ez-toc-section\" id=\"Why_This_Still_Matters\"><\/span><strong>Why This Still Matters<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><span style=\"font-weight: 400;\">These traditions aren&#8217;t static, and they&#8217;re not disappearing either. The Vasantotsav 2026 programme is proof of that \u2014 state government cultural events are actively including Chanchari, Harul, Bajuband, and other regional forms rather than letting them fade into archive material. The people keeping this going are mostly local performers and communities, not institutions, and that&#8217;s worth knowing if you ever get the chance to watch one of these live.<\/span><\/p>\n<h2><span class=\"ez-toc-section\" id=\"Conclusion\"><\/span><strong>Conclusion<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><span style=\"font-weight: 400;\">Uttarakhand&#8217;s folk dances don&#8217;t reduce to a clean, countable list, and this guide isn&#8217;t going to force one on you. What&#8217;s real is a set of well-documented forms \u2014 Chholiya, Langvir Nritya, Jagar, Pandav Nritya, Jhoda, Chanchari, and the rest \u2014 each tied to a specific region, community, and occasion, some ritual, some social, some both. If your <a href=\"https:\/\/www.chardhamtour.in\/packages\/\">Uttarakhand trip<\/a> lines up with Harela, a wedding season, or a state cultural event like Vasantotsav, you&#8217;re in a genuinely good position to see one performed the way it&#8217;s meant to be.<\/span><\/p>\n<h2><span class=\"ez-toc-section\" id=\"FAQs\"><\/span><strong>FAQs<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<h3><span class=\"ez-toc-section\" id=\"How_many_folk_dances_does_Uttarakhand_have\"><\/span><b>How many folk dances does Uttarakhand have?<\/b><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">There&#8217;s no official fixed number. Around a dozen major forms are consistently documented across government and university sources, though the count grows once local and seasonal variants are included.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"What_is_the_most_well-known_folk_dance_of_Uttarakhand\"><\/span><b>What is the most well-known folk dance of Uttarakhand?<\/b><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Langvir Nritya and Chholiya are the two most frequently cited \u2014 one for its bamboo-pole acrobatics, the other for its sword-dance history.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Is_Jagar_a_dance_or_a_ritual\"><\/span><b>Is Jagar a dance or a ritual?<\/b><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">It&#8217;s a ritual. A Jagariya sings invocations to a deity or ancestor spirit, and the Pashwa \u2014 the person believed to be entered by the spirit \u2014 moves into a trance. It&#8217;s treated as worship, not performance.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Which_dance_is_performed_at_weddings_in_Uttarakhand\"><\/span><b>Which dance is performed at weddings in Uttarakhand?<\/b><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Chholiya, Barada Nati, and Thali-Jadda-Jhainta are the ones most directly tied to weddings, though the specific dance depends on the region and community.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Whats_the_difference_between_Garhwali_and_Kumaoni_folk_dance\"><\/span><b>What&#8217;s the difference between Garhwali and Kumaoni folk dance?<\/b><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Garhwal&#8217;s forms lean devotional and physical \u2014 Langvir Nritya, Pandav Nritya, Jagar. Kumaon&#8217;s lean more social \u2014 Chholiya, Jhoda, Chhapeli. It&#8217;s a tendency, not a hard rule; Jagar and Jhoda both cross regional lines.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"What_instruments_are_used\"><\/span><b>What instruments are used?<\/b><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">It depends on the dance. Dhol and Damau are common but not universal. Chholiya uses Turi, Ransingha, and Nagphani. Jagar centres on the Hurka.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Was_Bajuband_still_performed_recently\"><\/span><b>Was Bajuband still performed recently?<\/b><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Yes. It was part of the official Vasantotsav 2026 cultural programme at Lok Bhavan, Dehradun, on 28 February 2026.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Can_visitors_join_in\"><\/span><b>Can visitors join in?<\/b><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Jhoda is the easiest to join \u2014 it&#8217;s a linked-arm circle dance, and locals often welcome outsiders in. Jagar is not something a visitor should try to join; it&#8217;s a religious ritual.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"What_is_Pandav_Nritya_based_on\"><\/span><b>What is Pandav Nritya based on?<\/b><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">The Mahabharata. Villages in Chamoli and Pauri Garhwal that identify with the Pandavas&#8217; exile story re-enact episodes across several nights, mainly around Dussehra and Diwali.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Is_Chanchari_only_performed_in_Bageshwar\"><\/span><b>Is Chanchari only performed in Bageshwar?<\/b><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">It&#8217;s strongest and most historically rooted in Bageshwar&#8217;s Danpur Patti area, but it&#8217;s now performed more broadly across Kumaon, including at state cultural events.<\/span><\/p>\n<p><strong>Must Reads on:\u00a0<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.chardhamtour.in\/blog\/folk-music-uttarakhand\/\">Folk Songs and Music of Uttarakhand<\/a><\/li>\n<li><a href=\"https:\/\/www.chardhamtour.in\/blog\/garhwali-language\/\">Garhwali Language: The Identity of Uttarakhand<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Uttarakhand&#8217;s folk dances didn&#8217;t grow out of a stage. They grew out of weddings, harvests, and village worship \u2014 places where dancing was the point, not a performance of it. Some of these forms are hundreds of years old and still get performed the way they started: in a courtyard, with a live Dhol player, [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":3191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-679","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uttarakhand"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Traditional Folk Dances of Uttarakhand<\/title>\n<meta name=\"description\" content=\"Discover vibrant folk dances of Uttarakhand, showcasing cultural traditions, rituals, and celebrations through rhythmic performances.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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Prasad\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/433cd720cefb992da58b8164d496df0e183a0e82503bb2f1f0aaf48c99855562?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/433cd720cefb992da58b8164d496df0e183a0e82503bb2f1f0aaf48c99855562?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/433cd720cefb992da58b8164d496df0e183a0e82503bb2f1f0aaf48c99855562?s=96&d=mm&r=g\",\"caption\":\"Laxmi Prasad\"},\"description\":\"Laxmi Prasad is the Founder &amp; Chief Yatra Director of ChardhamTour.in and has spent much of his professional life working closely with pilgrims travelling through Uttarakhand. Growing up in the region and seeing the challenges faced by travellers during the Char Dham Yatra gave him an early understanding of what pilgrims actually need on the ground \u2014 reliable route information, realistic travel planning, local assistance and clear guidance when weather or road conditions change unexpectedly. After more than a decade of working in Uttarakhand travel and completing the Char Dham circuit multiple times himself, he founded ChardhamTour.in in 2010 with a focus on making pilgrimage journeys better organised, more practical and more dependable for travellers. Laxmi Prasad has personally completed the Char Dham Yatra 22 times and continues to stay closely connected with the routes, pilgrimage centres and traveller experience. His knowledge covers Kedarnath, Badrinath, Gangotri and Yamunotri, along with road journeys, local transport, temple travel planning, senior-citizen requirements and seasonal travel conditions. His articles and travel guidance are shaped by first-hand experience rather than destination information alone. The focus is on helping pilgrims understand what a journey is really like, what they should prepare for and which details can make a practical difference during the Yatra. 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